Vinfolio Blog

 
23
Oct
2009

Fine Wine, Finer Service

by Jay Moore
Categories: Education

by Beth Thomas-Kim, Director, Customer Service


Finer service is more than just being responsive, empathetic, and efficient.  It’s how employees view their role in the delivery of that promise.  I asked my team what they thought finer service meant.  Their responses included, “going above and beyond,” “taking the burden off the customer’s shoulders so that doing business with Vinfolio is easy,” and “bending over backwards to ensure the customer’s experience is a positive one, especially when things don’t go as planned.”  I couldn’t agree more.


We provide as many ways as possible for customers to reach us; phone, email, and live chat sessions.  Email, however, outpaces phone calls in terms of the frequency of contact methods.  Phone calls, by their very nature, demand immediate attention.  Unlike many other organizations that rely on automated call handling technology, calls coming into Vinfolio are answered immediately and personally. We have zero hold time before reaching a customer service associate.  Additionally, our response time for email contacts is very impressive given the percent of our total contact volume.  Response time averages 43 minutes for email.  Most companies promise a response within 24 hours.


But, let’s go back to the issue of turning a negative experience into a positive one.  That’s where the rubber meets the road.  Recently, a new customer made a purchase through our online store.  There was a problem with the wine he purchased and when we sent a replacement, it too was unsatisfactory. Complicating things was a misunderstanding regarding a charge.  Things weren’t going so well.  The customer was angry.  It took some time and patient communication, but in the end we resolved the problems and his latest email ended with, “Thanks a ton. You are wonderful.”


I encourage you to share your comments and if there are opportunities for us to improve your experience, don’t hesitate to post them here, contact me personally at beth@vinfolio.com or call us toll free at 800/969-1961.  

17
Mar
2009

Common Synonyms of Grape Varieties

Categories: Education
Across the world’s many wine growing regions, there are numerous ways to identify the same grape. Some of the most prolific examples include Pinot Gris, Tempranillo, and Muscat, each of which has dozens of names. However, as a quick reference I have listed here only the most common synonyms. For a larger compilation, refer to the list done by Toni Paterson, MW, on Winediva.com.

White

Albariño

Alvarinho (Portugal)

Chardonnay

Morillon (Austria)
Pinot Chardonnay
Chenin Blanc
Pineau de la Loire
Pineau d'Anjou
Steen (South Africa)
Macabeo (Macabeu in Catalan) - traditionally blended with Xarel-lo and Parellada to make the Spanish sparkling wine Cava.
Viura (Rioja, Spain)
Muscat Blanc à Petits Grains - used in Asti, Clairette de Die, Muscat de Beaumes de Venise
Muscat Frontignan
Moscato Bianco
Muscat de Frontignan
Muscat d'Alsace
Muskateller
Muscat of Alexandria – used for Sherry and liqueurs
Moscatel (Spain)
Hanepoot (South Africa)
Muscadelle
Tokay
Sauvignon Vert
Pinot Gris
Grauburgunder (Austria)
Pinot Grigio (Italy)
Ruländer (Germany)
Tokay d’Alsace
Pinot Auxerrois or Auxerrois Blanc (Alsace)
Pinot Blanc
Weissburgunder or Klevner (Austria)
Pinot Bianco (Spain and Italy)
Riesling
White Riesling
Johannisberg Riesling (named after Schloss Johannisberg)
Rhine Riesling
Trebbiano
Ugni Blanc
Verdelho
Gouveio

Red

Grenache
Garnacha (Spain)
Malbec
Cot (Cahors, France)
Auxerrois Rouge
Mourvedre
Monastrell (Spain)
Mataro (California and Australia)
Nebbiolo
Chiavennasca (Lombardy)
Spanna (Gattinara, Piedmont)
Petit Sirah    
Petit Syrah
Durif (California, Australia, France, and Israel)
Pinot Noir
Pinot Nero (Italy)
Blauburgunder (Austria)
Spatburgunder (Germany)

Sangiovese – has many clones in the Sangiovese Grosso or Sangiovese Piccolo categories. It is the primary component in Chianti, Vino Nobile di Montepulciano and Morellino di Scansanco as well as the star of Brunello di Montalcino and Rosso di Montalcino.

Brunello
Morellino
Prugnolo Gentile

Syrah

Hermitage                
Shiraz
Tempranillo - has varying names depending on the region in Spain
Aragonez
Cencibel
Tinto di Toro
Tinto Fino
Tinto Pais
Tinto Roriz (Portugal)
Ojo de Liebre or Ull de Llebre (Catalan for "Eye of the Hare")
Valdepeñas (also used in California)

Common misunderstandings

  1. Muscadet is not a grape, but rather a region in the Loire Valley. Muscadet is also a dry white wine made from the Melon de Bourgogne grape.
  2. Muscadelle is not Muscat. These are two different grapes.
  3. Montepulciano d’Abruzzo is made from Montepulciano grapes whereas Vino Nobile di Montepulciano is made from Sangiovese (known locally as Prugnolo gentile).
  4. Many grapes that incorporate the word Riesling into their names are not indeed true Riesling. These “false friends” include Welschriesling, Schwarzriesling (Black Riesling), Cape Riesling, and Gray Riesling.

Helpful References

http://en.wikipedia.org/wiki/Pinot_gris
http://en.wikipedia.org/wiki/Muscat_(grape_and_wine)
http://en.wikipedia.org/wiki/Tempranillo
http://www.riojawine.com/
3
Mar
2009

Becoming a Fan of Riesling

Categories: Education

I have to admit that I am a huge fan of Riesling - in all its many forms. Like many, I initially was held back by the preconceived notion that Rieslings are simply sweet, innocuous wines with little to hold my attention. However, after tasting some amazing versions from around the world, I soon discovered my view was shortsighted. Drinking Riesling can be a very satisfying way to both start and end an evening; Riesling’s natural acidity makes it a perfect aperitif in its racy, dry form (such as the German Kabinett) and also a luscious dessert wine in its sweeter forms (such as Late Harvest / Vendage Tardive and Eiswein).

 
There are many wine regions that produce Riesling such as the famed German Mosel Saar Ruwer, whose lean, water-white Rieslings are characterized by lower alcohol levels, and the French region of Alsace whose Rieslings are often much richer with a marked golden color. In addition to such traditional growing regions, the "New World" wine regions are producing Riesling in many cool climates such as Mendocino, California and Central Otago, New Zealand.


Here are a few of my favorite Rieslings in Vinfolio’s wine store:

Light and Dry
2007 Gunderloch - Jean Baptiste Riesling Kabinett (Germany, Rheinhessen)                  $17.95

2007 Maximin-Grunhauser - Abtsberg Riesling Kabinett (Germany, Mosel Saar Ruwer)  $25.95

2007 Felton Road – Riesling (New Zealand, Central Otago)                                             $26.00

2006 Knoll, Emmerich - Riesling Kellerberg Smaragd (Austria, Wachau)                           $44.95


Full-bodied and Sweet
2007 Donnhoff - Niederhauser Hermannshohle Riesling Auslese (Germany, Nahe)   $61.95/375ml

2006 Zind-Humbrecht - Riesling Brand VT (France, Alsace)                                          $91.95

 

Click here to view Vinfolio's full selection of Riesling.

23
Apr
2008

Chardonnay for the Ages

by
Categories: Education , Tasting Event

The mind tends to wander towards Burgundy when thinking about 30 year old Chardonnays; divine Montrachet or Corton-Charlemagne is evoked. There are few opportunities in California for the same experience. At a tasting a few years back, a small group of wine junkies and aficionados had the opportunity to try 32-year-old California Chardonnay and Pinot in a three-decade vertical tasting. The event was hosted by the dedicated staff of Hanzell Vineyards and Winery in Sonoma, led by Winemaker Emeritus Bob Sessions and wife Jean Arnold.

The vineyards of this enduring and historically important wine estate were first planted in 1953. It took four leaves (years of vine growth) before the fruits of labor came forth to set a new standard for California whites. The first release of Hanzell Chardonnay was in 1957, long before boutique hand-crafting was identified as a necessity for honed finesse and refined maturity.

So, back to the tasting. I enjoy youthful Hanzell, young here defined as having spent only 10 years in bottle. A 10-year-old Hanzell shows medium gold hue with floral and often complex tropical notes, and is full-bodied with great acidity and balance. These wines are big. After 20 years, looking at an ’86, the Hanzell Chardonnay still retains floral hints and more ripe tropical notes, taking on more concentrated butterscotch and honey on the nose. At 30 years, specifically in the ’75, the wines are still full and rich, with tropical notes and more toasted hazelnut and butterscotch. A richer, more lengthy finish also rewards the patience of a true collector, with the ’75 still showing. It doesn’t get any better than this. Contact the winery before your next trip to California Wine Country. The property is breath-taking.   

The 2005 Hanzell Chardonnay ($65) is now on pre-arrival at Vinfolio. We anticipate receiving four cases at the beginning of May. Enjoy!!

17
Mar
2008

Keeping Up with Your Collection

Categories: Education

  

As part of the Collector Services team, I am often out of on the road and digging around in cellars to get them organized and inventoried. Part of what we do is bringing to the collector’s attention those wines that are drinking wonderfully now. It seems we all get so carried away with our latest purchase, newest winery release or “must have” varietals that the wines we loved just a few months or years ago are getting relegated to the deep dark corners of the cellar. We love to see clients smile when we pull out some older vintage gems they had long forgotten.

The downside to losing track of your collection is that some wines may have suffered from being hidden for too long – they are no longer something you would want to drink. We have seen some collectors throw out cases of wine because they just sat in a corner with more new cases getting stacked on top of them or new bottles racked in front. That is not only a wasted tasting opportunity, but more importantly, wasted money.

Here are some basic organizational tips to keep your collection up to date:

•  Front and Center: place the oldest vintages (same region/producer) in the display position or just above/below and work outwards with the more current vintages at the edges.  As you consume, consolidate the bottles towards the center, which will help to create room for the new vintages of that same wine or producer
•  Out of sight/Out of mind: create an area or designate a section for long-term aging wines so that you aren’t tempted to drink before they are ready.  If you can keep them in their original wood case, even better.
•  Drink Me Section: we recommend clearing a shelf, bin or column close to the cellar door for those bottles that are going to be consumed in the very short term or are fast approaching the end of their drink window.

You may find that some wines are not holding up as well as you thought, or are no longer suited to your palate. If you have large quantities of that wine, it is best to move it to this area and think about selling, donating or having a party.

6
Mar
2008

Expanding your Sensory Evaluation Skills

Categories: Education

I am often asked how to improve your palate and sensory evaluation skills. The golden rule is taste, taste, taste. But there is another basic strategy that you can employ to further your skill and enjoyment - take advantage of sensory experiences in your daily life. You can learn and explore by simply going to the Farmer’s market or the grocery store, hiking in Muir Woods, visiting the florist or nursery, and cooking at home. These are just a few examples of opportunities to establish standard sensory reference points for later tasting.

Once you make a small adjustment in recognizing these opportunities and practicing, you will expand your abilities and enjoyment.  Here are some common descriptors:

Reds

In French reds, look for forest floor in Bordeaux, and more specifically, pencil shavings in Pauillac Bordeaux; mushrooms in Red Burgundy, underbrush in Chateauneuf du Pape, and bacon in Cote-Rotie. For the Italian reds, there are truffles in Barolo and Barbaresco, spice box in Chianti Classico, and rose in Nebbiolo. Other common characteristics are tar or asphalt in Syrah, and eucalyptus in the Aussie rendition; mint in Napa Cabernet, and bouillon in Spanish Tempranillo.

Whites

In French whites, you’ll find Meyer lemon and key lime in Sancerre, honey in Vouvray, and wet stones in Chablis. In Sauternes and Viognier, look for stone fruits, lychee in Gewurztraminer, petrol in Riesling, cut grass in Sauvignon Blanc, and apple pie and crème brulee in new world Chardonnay.

Being aware of these sensory markers and opportunities will make you a better taster and make wine tasting and evaluation that much more rewarding.  Have fun with this.

              

27
Feb
2008

Don't miss the 2004 Tuscany and Piedmont Vintage!

Categories: Education
 
I cannot recommend and emphasize enough that if you aren’t buying wines from the 2004 Tuscany and Piedmont campaigns, you will be remorse.  This is a classic vintage with many estates producing some of their finest wines ever.  Now is the time to purchase these wines and to go deep on your favorites.  The campaigns have started for the 2004s and we source more every day.  These are “must haves” for the wine lover and wine collector alike and represent some of the last vestiges of affordable fine and collectible wine.

Click here to view 2004 Tuscany

Click here to view 2004 Piedmont

Antonio Galloni on 2004 Tuscany:

Simply put, 2004 is a superb vintage in Central Tuscany…..  Readers will be tempted to enjoy these 2004s young, but the wines will only show the full extent of their potential in some years. Not to be left behind, 2004 is also a superb vintage for the Super-Tuscan blends of indigenous and international varietals….. Wines such as Solaia, Tignanello and Camartina are especially noteworthy.  All of the wines mentioned above feature extraordinary length and finesse as well as sweet, silky tannins which makes them incredibly appealing even at this early stage. Simply put, the best 2004s are reference-point wines for the region and are not to be missed.

Stephen Tanzer on 2004 Piedmont:
…… The splendid 2004 Barolos and Barbarescos were the highlight of my tour…..The better 2004s are scented and elegant, and at the same time structured and strong. They show many stylistic similarities to the 2001s, another warm season that benefited from fine conditions before and during the harvest. While both of these vintages can be described as “classic,” tannins are generally ripe, and although these wines are structured to evolve in bottle for a decade or two, there’s relatively little of the early austerity that characterized so many big nebbiolo wines of years past. Many producers I visited in September rate the two vintages as roughly equal. Some prefer 2004 for their suppler tannins and more immediate appeal.
Antonio Galloni on 2004 Piedmont:
After a series of poor 2002s and uneven 2003s Barbaresco bounces back with its stunning 2004s……For many estates the 2004s are without question the finest wines they have ever made, although as always, there are a handful of disappointments. The best 2004 Barbarescos are wonderfully complete, with the sweetness of the 2000s and the greater aromatic complexity, detail and finesse of the 2001s……Stylistically 2004 is closest to 1996, 1999 and 2001 although the wines in general possess more sweetness, generosity and finesse than any of those vintages. Simply put, 2004 is a vintage that has the potential to redefine many consumers’ views of the heights Nebbiolo can achieve……As in Barbaresco, the 2004 Barolos are extraordinary. They, too, are the finest wines many estates have ever produced.
22
Feb
2008

Nominations for the 2008 American Blog Awards

Categories: Education

If you have enjoyed reading the Vinfolio Staff Picks blog, now is the time to show your support by nominating us for the 2008 American Blog Awards. Last year our CEO, Stephen Bachmann, won the category of "Best Single Subject Blog" for The Wine Collector, also featured on Vinfolio’s website.

To nominate us for this category, go to Best Single Subject Wine Blog.

Other nomination pages include:
Best Wine Blog Writing
Best Wine Blog
Best Wine Review Blog

Best Wine Business Blogging
Best Winery Blog
Best Wine Podcast or Video Blog
Best Wine Blog Graphics

See here for a list of the winners from 2007 in all categories.

21
Feb
2008

The Appeal of Burgundy

Burgundy has always held a certain mysterious appeal for the wine collector. The obvious reason is the region’s stunning Pinot Noir and Chardonnay, grown on Burgundy’s famous limestone soils; but the challenge of comprehending this region is also a significant draw. Factors of history, politics, geology, and micro-climate contribute to its complexity. It is apparent that these wines demand much attention in order to be fully appreciated, but that they always remain enigmatic; Burgundy might never be fully comprehensible, but something can be learned with each new tasting experience, making it an unending source of exploration.    

The history of the vine in Burgundy is quite extensive. From 900 AD until the French Revolution, vineyards were owned by the Church. During these early years, monasteries did extensive planting and established some of today’s best known vineyards. The monks helped facilitate a natural selection of vineyard sites so that plantings were done in the best possible locations. After the French Revolution, Burgundy’s vineyards were divided among the workers who had tended those vines. From that point on, the Napoleonic inheritance laws subdivided vineyards further to the point of individual rows. Because of this subdivision, négociants, merchants who buy grapes or juice from growers and make their own wines, are common. Some examples of well-known négociants include Bouchard Père et Fils, Joseph Drouhin, Faiveley, Louis Jadot, and Louis Latour.

As further testament to Burgundy’s diversity, there are nearly 100 AOC (appellation contrôlée) in the region. Burgundies are classified by origin rather than by producer (or château) as in Bordeaux. Quality levels increase as a wine’s grape source becomes more specific, ranging from Regional and Communal (Villages) locations, to Premier and Grand Cru vineyards. The Villages sites are typically located on the flatlands closer to towns, whereas the Premier Cru vineyards have more advantageous locations on the hillsides. Finally, the Grand Cru vineyards are located on the middle and upper portions of the slopes and represent the ideal combination of soil, aspect, sunshine, and drainage.  Some examples of famous Grand Cru vineyards include the Pinot Noir sites "Bonnes Mares" and "Richebourg" and acclaimed Chardonnay sites "Le Montrachet" and "Corton-Charlemagne."

Since it is common for many growers to own small parcels in specific vineyards, there exists the unique opportunity to sample the various growers’ renditions from the same vineyard.  These comparisons highlight a producer’s particular style, as well as the various growing conditions within the vineyard. Throughout the region, there is geographic, climatic, and vintage variation, all of which add exciting components to the Burgundy experience.

Despite the fact that it can be challenging and intimidating, the region’s very complexity can inspire a lifetime of discovery and enjoyment.  There are many well-known producers in Burgundy who consistently make impressive and investment-worthy wines.  However, great quality can also be found in more reasonably priced regional appellations, especially when crafted by an expert producer. The goal of all Burgundy is to best express its unique sense of place. Due to the proliferation of vineyard holdings, each producer aims to make wines that differentiate themselves by their ability to mirror the characteristics of the land and the winemaker’s personal style.

The following is a list of my favorite selections currently featured in our wine store:

2006 Faiveley, Joseph - Gevrey-Chambertin Les Cazetiers 1er Cru, BH 91-93, $69.95
2005 Bertagna - Nuits St Georges Les Murgers 1er Cru, BH 90-92, $89
1999 Delarche, Marius - Corton-Renardes, BH 92, $92
2005 Trapet - Latricieres-Chambertin, BH 94, $179
2003 Magnien, Frederic - Chambertin Clos de Beze, BH 92-95, $195
2005 Potel, Nicolas - Bonnes Mares, BH 93-95, $325
2002 Lignier, Hubert - Clos de la Roche, BH 94, $365
2002 Mugnier, Jacques-Frederic – Musigny, BH 94, $659
1995 DRC - La Tache, BH 94, $1,495

2006 Fevre, William - Chablis Fourchaume 1er Cru, BH 90-93, $40.95
2005 Long-Depaquit - Chablis Les Clos, BH 92, $54
2005 Girardin, Vincent - Corton-Charlemagne Quintessence, BH 92-95, $175
2005 Lafon, Comtes - Meursault Charmes 1er Cru, BH 91-93, $315
2004 Niellon, Michel - Batard-Montrachet, BH 94, $399
8
Jan
2008

Rethinking Dessert in the New Year: Sauternes, Tokaji and Vin Santo

by

January is time to face the inevitable challenge of sticking to our well-intentioned New Year’s resolutions, so often having to do with our waistlines: a new diet, more exercise, and healthy eating!  You might have already stopped going to the gym, but before you give up completely, consider dessert wines as an easy replacement for high calorie after-dinner treats.  These days, dessert wines are made in just about every region, but the most famous remain Sauternes from Bordeaux, Tokaji from Hungary, and Vin Santo from Tuscany. 

Regardless of origin, all dessert wine is made by concentrating the sugars in the grape.  In the case of Sauternes and Tokaji, the winemakers use grapes that have also been affected by Botrytis, a mold that shrivels the grapes on the vine.  For Vin Santo, the grapes are dried, producing the same effect of concentrating the sugars. Producing these wines from vineyard to bottle is a very laborious process combined with an enormous amount of risk that’s taken with each vintage.   Understanding all that goes into these wines shows what a great value they truly are!  

Sauternes 

Origin: France–Bordeaux.  Five villages comprise the Sauternes region: Sauternes, Barsac, Priegnac, Fargues, and Bommes.

Grapes: Sémillon, Sauvignon Blanc and Muscadelle.

Brief History: Sauternes most likely began producing sweet wine in the 18th century, though debate remains on specific dates.  Whether earlier or later, what is certain is the suitability of the region for the production of botrytis-infected nectar.  In late autumn, morning mist settles in the vineyards and then burns off during the warm days, providing perfect conditions for the growth of noble rot. 

In 1855, Sauternes was categorized into a three-tiered hierarchy, with Yquem at the top as the Premier Cru Supérieur (First Great Growth).  The premiers and deuxièmes crus follow and produce high quality, if somewhat less expensive, offerings. 

Browse the complete Vinfolio inventory of Sauternes

Some highlights from the Vinfolio wine store include: 

1990 Yquem ($425) 

2003 Yquem ($159) 

1988 Rieussec ($109) 

1990 Suduiraut ($69)

Food Pairing: Try with Foie Gras or mild Roquefort.  Considering the price and complexity of great Sauternes, they are often enjoyed by themselves.

Great Vintages: 2005, 2003, 2001, 1990, 1989, 1988, 1986

Tokaji 

Origin: Hungary – Tokaj-Hegyalja 

Grapes: Furmint, Hárslevelű and Muscat Lunel

Brief History: Tokaji was subject to the world’s first appellation control, beginning in 1730, decades before Port and more than 100 years before Bordeaux. Given Tokaji as a gift in 1703, Louis XIV entitled it the "Wine of Kings, King of Wines."

Tokaji is categorized according to the amount of aszú, or nobly rotten fruit, added to the base wine.  The concentration of the wine ranges from 3 to 6 puttonyos: the higher the number, the more concentrated and sweeter the wine.  The highest level of Tokaji is essencia, which has the highest concentration of flavor, and is therefore the most highly valued. 

Vinfolio currently offers the following selections:

1995 Royal Tokaji - Tokaji Aszu 6 Puttonyos Mezes Maly ($103)

1999 Royal Tokaji - Aszu Essencia ($449)

Food Pairing: Pairs similarly as Sauternes, Tokaji is also ideal with fruit or nut-based based desserts and cheesecake.

Great Vintages: 1988, 1993, 1999, 2000, 2003, 2005

Vin Santo

Origin:  Italy, Tuscany.  Also made on the island of Santorini in Greece.

Grapes: Passito, Trebbiano Toscano, and Malvasia, as well as other local varietals.  There is also a red Vin Santo known as Occhio di Pernice made from Sangiovese and other local varietals.

Brief History: Vin Santo was known as Vin Pretto or “pure wine” prior to the 14th Century, and was used in religious services.  Later, it became known as Vin Santo, but quality producers still make it in the traditional way.  The grapes are dried on racks and mats then aged in small, often chestnut, barrels known as caratelli.  Typically the barrels are not completely filled to allow a little room for air, which helps with the natural oxidation process.

From the Vinfolio wine store:

1999 Felsina Berardenga - Vin Santo del Chianti Classico ($33)

Food Pairing: Vin Santo goes well with desserts made with dried fruit and nuts, especially pecans, walnuts, and hazelnuts, as well as chocolate and caramel combinations

Great Vintages: There is a separate DOC appellation for Vin Santo, however, in vintage reports it is not separated from Chianti and so follows Chianti’s great vintages: 1997, 1999, 2001, 2004, and 2005.

Serving recommedations

One thing about the three of these wines is that when they are of good quality they all age well and develop beautifully in the bottle. Usually with Sauternes and Tokaji, their lifetime is referred to as timeless. All three of the wines should be served around 52 degrees, however, some people prefer their Vin Santo closer to room temperature.  Remember never serve this wine too cold or you will shut down all of those beautiful aromas.

Speaking of beautiful aromas…

You don’t often see is either Sauternes or Tokaji served in the best glass for this style of wine.   The glass pictured is part of the Sommeliers Line from Riedel and is specifically designed for enjoying these very aromatic wines.  This is a great example of how Riedel engineering makes a significant difference in our enjoyment of the wine in the glass!

As you embark on a new year of wine exploration, I hope the dessert you find in your glass gives you abundant motivation to stick to at least one of your New Year’s resolutions.  If you’re interested in reading more on dessert wines, (and being tempted by food pairings), check out Sweet Wines:  A Guide to the World’s Best with Recipes by James Peterson.

26
Dec
2007

New Year's Resolutions for the Wine Geek

by
Categories: Education

 

Many of us in the wine trade make New Year’s resolutions regarding how can we better balance our own collections, sharpen our palates, or promote hot categories to our collector/enthusiast fan base. I usually stick to my wine related resolutions better than my personal ones, but heck I’m a Wine Geek who is passionate to stay the course and spread the gospel. Below you will find my Ten Resolutions to make 2008 a worthy one for collecting and for exploring the unknown. The wine world is getting smaller and smaller and there’s no better time to think outside of the box.

1.    Purchase more wines using alternative closures. It’s time the wine world woke up and examined the alternative closure i.e. the Stelvin screwcap or Vino-Lok (http://www.vino-lok.de/). Save a cork tree! Your precious wine doesn’t have to be tainted anymore.  

2.    Buy exclusively from projects that stress organic farming practices. 100% Certified Organic is a bigger plus, but doesn’t mean to exclude all the wineries that haven’t registered with the governing body for an official certification. Stay with smaller producers and avoid bulk production out there!

3.    Taste and buy more Single-Grower Champagne and stay away from the large Luxury Houses that have to charge high prices to support their marketing costs and high-fashion packaging. Many Single Grower Champagnes are a third to half less than the noted “Big Boy” labels. More often than not, the juice is from highly rated Premier and Grand Cru vineyards.

4.    Touch base with us and your other reputable retailers to get the skinny on up-coming great vintages to stock in your cellar. 2002 Champagne, 2004 Tuscany, 2004 Piemdont, 2005 & 2006 Rhone, 2005 Red Burgundy, 2006 White Burgundy, 2006 Austria, 2006 Sweet Germany and 2006 California Cabernet Sauvignon.

5.    Make a point to learn more about Vinfolio’s VinCellar. It’s free to use once you sign up for an account. VinCellar is revolutionizing the way we track our collections of any size, from the 100-bottle newbie collection to the 1,000-bottle portfolio of a serious collector.  

6.    For those who use VinCellar, take a moment to contact Vinfolio to get an assessment of your collection. Certain wines are gaining value, but more importantly, know what wines need to be drunk now. Plan on that “Drink ‘Em Up” Party over the next year. Some of those wines are not getting any better!

7.    Stay away from the 16.0% and above for wines labeled as table wines. One more degree and you’re talking fortified. How to match foods with these wines is beyond me!

8.    Try more of the bizarre from ancient lands that have been making wines since Antiquity. In your market, look for more dry whites from Greece, Slovenia and Austria. They make for wonderful food pairings.

9.    Spain is the new European Power House! Branch out and try old-vine wonders from areas that have been too long overshadowed by Rioja and Ribera del Duero. Great entries from Bierzo, La Mancha, Toro, Montsant, Calatayud, Costers del Segre and Jumilla are redefining the category.  

10.    Time to really explore Italy with over 2,000 native varietals grown from Valle d'Aosta in the northeast to Calabria in the south. There are more flavors and price points than you can imagine. It’s not just about Pinot Grigio and Sangiovese anymore!

7
Dec
2007

A Case for buying a Case

by
Categories: Education , Wine Reviews
'Tis the Season as they say…for drinking multiple bottles of wine in good company. Here are 8 great wines to be purchasing in case quantity. For sure, they are excellent values. But importantly for this time of year they are wines that pass several of my tests for purchasing by the case:

1) Great quality to price ratio
2) Wines that are less familiar – good conversation starters
3) Perfect for drinking with or without food – great “cocktail” or aperitif wines
4) Pairing proficiency – they will pair with a variety of foods, cooking styles, seasonings and seasons (spring through winter)
5) Palate pleasing – wine that will please all guests
6) Ready to enjoy – at least with some air, or time in the glass, the wine will show itself well

Here they are listed in alternating White and Red, just like a candy cane!

2006 Cheveau, Michel - Macon Solutre-Pouilly Sur le Mont
$18
Chardonnay
Fresh! That's the name of the game here with a sublime entry of apple-citrus, fresh creamery butter and liquid quartz mainline mineral. This is a fabulous wine that attains a much higher plain then its humble appellation reveals. A palate that is crisp and polished with perfect lift and golden apple, crème brûlée and fresh fig vying for prominence. Very elegant and precise. You could easily pay double.  - Cyrille Hanson, Vinfolio

2003 Sportoletti - Villa Fidelia $33.95
Merlot, Cab, Cab Franc
Clean red, with plum, berry and a hint of floral and dark chocolate character. Full-bodied, with fine tannins and a well-balanced, fresh mineral finish. Delicious even now. Lots of new wood. 3,000 cases made. - James Suckling, Wine Spectator

2005 Margerum - Sauvignon Blanc Purisima Mountain Vineyard $22
Doug Margerum produces many wines but this would be my choice for the "Desert Island" providing I had a corkscrew. This is the last of the 2005 available, so don't be shy. The aromas are violet, creamy white peach, flint and a pure expression of grape. The flavors are beautifully focused with crisp stone fruit flavors that continue to soften on the palate. - Doug Wilder, Vinfolio Issue 122

2003 Rockburn - Pinot Noir $ 29
Good medium red. Dark cherry, spices, smoked meat, fresh herbs and brambly underbrush on the nose. Sweet, silky and fresh, with nuanced flavors of red berries, mocha, sassafras and earth; showed increasing definition as it opened in the glass. Finishes with rather soft tannins and a slight edge of acidity. - Stephen Tanzer, International Wine Cellar Issue 122

2006 Hiedler, Ludwig - Gruner Veltliner Thal $25
Medium green-yellow. Pronounced tropical fruit and nutty components are interwoven with tobacco-like spice and pineapple on the nose and in the mouth. Full-bodied and juicy, thanks to playful acidity. Flavors of sweet yellow peach, green peppercorn and minerals persist impressively on the finish. Still has tremendous potential for further development in the bottle. Drink 2008 to 2018. - Peter Moser, International Wine Cellar Issue 135

2005 Numanthia - Termes $25
Tempranillo
Dark ruby. Ripe cherry and plum aromas are complicated by espresso and dark chocolate. Powerful, densely packed dark berry flavors are distinctly ripe, with chewy tannins adding structure. And yet this is surprisingly light on its feet, finishing with gentle acid lift and brighter red berry character. Not a blockbuster by any stretch.  - Josh Raynolds, International Wine Cellar Issue 134

2006 Pra, Fratelli - Soave Classico Superiore Vigneto Monte Grande $25
Garganega
A rich, perfumed nose of golden apple and pear leaps out of the glass. Fresh, effusive notes of mineral-laden lemon oil, apple butter and crisp Anjou pear hang about and are finished off with a dry, honeyed/marzipan aspect. Lively and refreshing despite its broad, intense palate. Gorgeous and bursting with flavor. A top-notch producer that doesn't skimp on quality. - Cyrille Hanson, Vinfolio

2004 Pallieres - Gigondas $23.95
Grenache blend
Medium red. Highly complex aromas of red fruits and pungent herbs, warmed by a gentle toasty oak tone. Suave flavors of raspberry and cherry are accented by lavender and bitter chocolate. Finishes on a sweet note, with dusty tannins and a lingering spice character.

2006 Venica & Venica - Pinot Grigio $19
Great fruit and structure with clean, crispness despite a more giving, lushness than lesser Grigio.
30
Oct
2007

Catalonian All-Star Unleashed!

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Our most recent wine journey take us to one of the most noted wine growing regions in Catalonia, the Montsant D.O. (denominación de origen) located in the hinterland of Tarragona. Before 2001, the D.O. was referred to as Tarragona-Falset and today there are over 40 wineries that reside in this spectacularly hilly country interlaced with grape vine, almonds, olive groves and pine trees. Montsant forms a horseshoe around its more famous neighbor the Priorat. A similar grape mix is found here dominated by Cariñena (Carignan) and Garnacha (Grenache). The major geological difference between the Montsant and Priorat lies in the soil structure. Montsant has more silica, iron and clay, whereas Priorat is dominated by pure slate and schist. Furthermore, Montsant sits at a lower elevation than the Priorat with less rugged and terraced vineyards allowing for easier development of vineyards. Though Priorat is garnering a lot of press and may arguably produce the finest wines in all of España, certain Montsant producers are poised to take on some of the spotlight at more affordable prices.

Cellars Can Blau is a case in point. Started in 2003 as a partnership project between Spanish import giant Jorge Ordoñez and Ángel Gil of Juan Gil winery in Jumilla, Can Blau takes on a New-World approach with the hiring of Australian winemaker Sarah Morris. Ordoñez and Gil’s ‘Oro Wine’ project has worked the Aussie angle before hiring Chris Ringland with the Alto Moncayo project in Campo de Borjo and El Nido in Jumilla. Based on initial  reviews (IWC 92/ WA 92), The Can Blau label is heading to top of the record charts in the same fashion as Alto Moncayo and El Nido labels. Take top quality native old-vines, picked at low yields tempered with state-of-the-art modern equipment, and you have hedonism in a glass.

I was extremely stoked to see the release of the 2004 Mas De Can Blau Tinto ($39) on the Vinfolio site (www.vinfolio.com). It’s the older vine rendition of two wines from this house which I had to the opportunity to sample when Jorge Ordoñez came through the Bay Area about a year ago. I still can remember the night I tried the wine and was floored by the sexiness and opulence that is not usually associated with the Montsant. A blend of 35% Cariñena, 35% Syrah and 30% Garnacha makes for a compelling argument that the best examples of ‘Rhone’ blends are being made in Catalonia. Fact: ‘Greater Catalonia’ stretched all the way into the Languedoc and Southern Rhone into the late 1300s. Fans of Aussie “Sheeeraz” and California Central Coast Syrah should add this wine to their must have list. Its full throttled black fruit explosion doesn’t mean that there isn’t any Old-World sauvage character in the glass. This effort still has all the great herbs and mineral accents that you expect from this region, but brace yourself for deep saturation and extraction. This is not your grandfather’s old-school Rioja! Mas De Can Blau is definitely more (mas) with a core of kirsch and blackberry compote laced with cola and tar notes. The twenty months of French oak ageing is apparent but in check with tannin and acid. This wine can age for a good five years, but all too tempting to enjoy now with a solid 90 minutes of decanting time. This wine deserves carnage like meat on the grill. Perhaps a spicy dry rub Rib-Eye with garlic mashed potatoes and braised collard greens.

10
Oct
2007

Gruner Veltliner - Cool Climate, Cool White

Categories: Education

I keep a lot of Grüner at home and it is a great food wine or quaffer, depending on the style.  

As you know, Grüner Veltliner is an indigenous white grape from Austria accounting for over one-third of the vines in Austria. Grüner is capable of giving a variety of flavors: spicy, grassy, herby or oily.  Typical descriptors are white pepper, white rhubarb, melon and citrus.  There is definitely a freshness and purity about Grüner, from the diminished use or lack of oak, and you can often find a slight amount of un-dissolved CO2 which adds a slight lift and zip to the wines.  

The grape is perfectly suited to Austria’s cool climate and shows excellent minerality from typically granite soils.  The wines have very good acidity to balance a range of alcohol levels according to the level of ripeness.  

There is a vast amount of ordinary Grüner Veltliner grown in the Weinviertel, a district within Niederösterreich, Austria's single largest winegrowing area. These are typically the most basic Grüners, or quaffers. The best wines for Grüner are being made in the three smaller, adjoining districts along the Danube: the Wachau, Kremstal and Kamptal.

Wachau produces the most powerful and rich examples, while the more restrained and elegant styles come from the Kremstal and Kamptal, as the soil is more sandy loam.  Additionally, the terms Federspiel (meaning “falconry”) and Smaragd (meaning “emerald”) are found on the labels of Grüner Veltliners from the Wachau region only.  Federspiel wines are made from grapes harvested at a minimum of 20 degrees Brix (a measurement of ripeness) and are medium bodied, with between 11.5 percent and 12.5 percent alcohol content.  Smaragd wines, higher in quality, are richer and fuller-bodied than Federspiels because the fruit is picked at riper sugar levels, a minimum of 21.4 degrees Brix. The alcohol levels of Smaragds must be 12.5 percent or higher.

I recommend trying Rudi Pichler’s 2004 Gruner Veltliner Terrassen Smaragd ($31), which earned 92 points from the Intenational Wine Cellar, as well as 90 points from the Wine Advocate. You can also review our entire stock of Grüner Veltliner for more options. 

8
Oct
2007

A Campanian Showpiece: The Power & Grace of Aglianico

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I have a love affair with Aglianico [ah-LYAH-nee-koh]! Maybe it’s my nonconformist attitude of branching out to uncommon growing regions that deserve the spotlight. Perhaps it’s that I need more variety in my life. For Italian wine enthusiasts, Agliancio might be familiar, but usually mentioned as an afterthought to Sangiovese from Tuscany and Nebbiolo from Piedmont. Well, the 'Aglianco Renaissance' is alive and well, establishing itself as the banner grape varietal of Southern Italy. Campania and Basilicata lay claim to the finest Aglianico with new plantings popping up in neighboring Puglia and even in Sicily. The grape is believed to have originated in Greece, but it was the Phoenicians who were responsible for its arrival, first into Basilicata and then later migrating into Campania. The name is derived from 'Ellenico,' one of the Italian adjectives to indicate of 'Greek' origin.  Aglianico was famous in the ancient world for the production of 'Falernum,' an ancient wine that was highly prized by Roman nobility and the literary community.

The vine was almost wiped out from both phylloxera and a poor economy in the late 19th and early 20th century with only a band of a few family estates willing to tend to the ancient vine.  The house of Mastroberardino based in Avellino is credited for the revival of the varietal in the late 1960s. Back then and even today, the finest Campanian Aglianico is sourced from the village of Taurasi, the only D.O.C.G. village classification in the region. The wines of Taurasi are long lived and have similar ageing qualities to Piedmont’s Nebbiolo found in the esteemed villages of Barolo and Barbaresco. I highly recommend Italian collectors to make room for some Taurasi in their cellars. These wines can age gracefully for 5 to 15 years. I have tasted well-aged Taurasi and it’s memorable for its silky layers of dried dark fruits, leather and tobacco.

Today, Aglianco production has doubled from the late 1970s and some very impressive and approachable versions may be found in the D.O.C.s of Avellino, Irpinia and Taburno with affordable price tags to boot. Genetically, Aglianico has a high tannin and acid component, which makes for a great cellar-worthy wine, comparable to great Nebbiolo. Younger vine versions are made in a softer style emphasizing primary fruit. Beyond its chemical makeup, Aglianco on the palate opens up to primary fruits of blackberries, black cherries, black currants followed by nuances of smoky tar, tobacco, licorice and coffee-espresso notes. Aglianico deserves slow roasted or braised meat dishes. However, a grilled burger or favorite steak preparation can pair marvelously with a younger, fruitier rendition.

Vinfolio is proud to feature three 100% Aglianicos and five Aglianico inspired blends from Campania, geared more for the cellar. The 2001s listed on the site can be enjoyed now, but I do recommend aerating for a solid 90 minutes in a decanter. Leg of Lamb anyone? Below are four of my highest recommendations!

2001 Caggiano - Taurasi Vigna Macchia dei Goti ($39, IWC 94)
Fasten your seat belts for an Aglianico tour de force … vigorous but elegant. Taurasi at an attractive price!

2003 Masseria Felicia  - Falerno del Massico
($62)
The Falerno del Massico D.O.C. is north of Naples, not far from Vesuvius. Old-vine Aglianico (80%) and Piedirosso (20%) are grown on volcanic ash. Maybe one of the most profuse violent blossom noses I've come across of any Italian wine.

2003 Galardi - Terra di Lavoro ($115)
The Galardi estate is based in the high volcanic hills of Sessa Aurunca in northwestern Campania, north of Naples. 80% of the blend is Aglianico rounded out with native Piedirossso and Cabernet Sauvignon. The Gambero Rosso guide honored the 2003 with the highest rating of three glasses. Worth every penny!

2001 Terredora di Paolo – Taurasi ($41, Vinfolio 92)
Campania’s largest producer and vineyard owner made an ethereal Taurasi in 2001. An extremely balanced wine in its youth! The featured offering goes beyond appellation regulations by ageing the wine for 30 months in French barrique and another 18 months in bottle.
26
Sep
2007

Pairing Wine with Glassware

Categories: Education

This post was inspired by two articles in the NY Times that discuss ideal glass shapes and how different stemware can affect the way someone experiences the aroma, taste and harmony of a wine. “This Glass Is for the Cabernet, That One the Pinot Noir” (9/16/07) discusses Riedel Crystal’s theory of designing varietal specific stemware, while “A Tall Glass Makes The Best of Bubbles” (12/25/96) rates 18 different Champagne glasses priced $2.75 to $85 each. While informative, both articles incite you to do more testing on your own.

As a wine enthusiast, I often contemplate whether I have the ideal stemware for my wines and whether buying a more specialized glass (such as one designed for Riesling or Sangiovese) will improve my tasting experience.  Overall, I do subscribe to the view that the best glasses provide sufficient space in the bowl for the wine to “breathe” and have a rim that is both thin and tapered (such as those made from crystal instead of glass) so that the wine flows smoothly into the mouth. I once attended a Riedel tasting seminar that contrasted various glass shapes and thicknesses by pouring the same varietal wine into multiple glasses. I must admit that I was won over by the results. However, the biggest difference I found in tasting was between the “joker” glasses (small, non-crystal, clunky glass or tumbler) and generous sized crystal stems. The subtleties between the varietal-designed glasses were much more subtle. Unless one has extensive storage space, I wouldn’t invest in more than four basic styles. Below are some general style descriptors and a selection of my favorite wines that could pair with each category:

Tall Champagne flute
– Tall flutes are better than coupes or saucer-shaped glasses at streamlining your bubbles, although a “tulip” shaped stem will provide additional focus and space for the aromas to gather.
    1997 Laurent-Perrier - Grand Siecle Cuvee Alexandra Rose $99
    1996 Pol Roger - Cuvee Sir Winston Churchill $159


Narrow white wine glass – A narrow Sauvignon Blanc styled glass will focus the aromas at the top of the glass. Since this glass has less surface area than a red wine glass, it allows less air to circulate around the glass, keeping the wine cooler. This style is also good for Riesling and other acidic whites. 
    2006 Cotat, Pascal - Sancerre Chavignol Reserve des Mont Damnes $47
    2005 Pichler, F X - Riesling Durnsteiner Kellerberg Smaragd $66


Burgundy-style goblet – The larger bowl of this glass is important for Pinot Noir, Grenache and full-bodied Chardonnay to accumulate its aromas as well as expand in flavor as it enters your mouth. The glass directs the wine to the tip of the tongue.
    2005 Drouhin, Joseph - Meursault Les Perrieres 1er Cru $71.95
    1998 Mortet, Denis - Gevrey Chambertin Combe du Dessus 1er Cru $69


Bordeaux-style wine glass – This glass is tall with a wide bowl so that it directs the wine to the back of the mouth. This style is best for medium to full-bodied red wines such as Cabernet Sauvignon, Merlot, Sangiovese, Syrah, Petite Sirah, and Zinfandel.
    1995 Guigal, E - Cote-Rotie Chateau d'Ampuis $75    
    2000 Cos d'Estournel $139


In addition to breathing and effects on the palate, the four styles of glasses described above follow a progression of light to more full-bodied varietals, and also reflect a relative progression of wines’ serving temperatures. The narrowest glass is meant for chilled Champagne whereas the larger Bordeaux-style glass is meant for “bigger” reds served at room temperature.

In the end I’m not yet ready to break the bank by buying every varietal inspired glass (Riesling stemware will have to wait), but I’ve been convinced that employing glasses that allow appropriate temperature control and breathing for a particular wine style will provide an enhanced drinking experience. What do you think? Select, swirl and sip towards your own opinion…

24
Sep
2007

It's all about the Schist!

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In the modern era of wine marketing, much importance has been placed on the virtues of a particular grape and the growing region where it best performs. However, it seems that soil is rarely mentioned in the same breadth, but has as much to do with the success in what the consumer and the wine trade deem as a quality wine. The concept of terroir weighs heavy on the geological premise that winemaking starts below the ground. Not to sound brash, but our darling varietals of the world are merely ‘transformers’ and that the wine industry might want to categorize wines not by varietals or regions, but by soil composition. Could you imagine if your local wine shop had signs pointing to the ‘limestone’, ‘tuffa’, ‘clay-loam’ or ‘schist’ sections of the store? I don’t think so, but it would be a great way to educate the public on the importance of terroir (a sense of place).

Many people whose palate preferences lean towards a dry French white wine, like a Sauvignon Blanc from Sancerre or a 100% Chardonnay Méthode Champenoise from Avize in Champagne, reflect their preference for a limestone-chalk based soil rather than the primary fruit components of these classic, but completely different varietals. Certain enthusiasts and serious tasters have a grasp of the major soil types and what effect they have on the wine. The first ones that come to mind are calcareous, clay-loam, sand and gravel based. There’s a ton more, but it’s schist that gets me all worked up! Yes SCHIST, coarsely metamorphic rock that was born at great depths some 300 million years ago, and brought to the surface in the mid-Tertiary by uplift of the earth’s crust. The deep-seated molten masses were intruded into an overlying crust of ancient lavas and volcanic ash. The heat and pressure of the intrusions cooked and squeezed (metamorphosed) the lavas and ash into the foliated rock called schist. These formations have been referred to ‘old rocks’ in the same family of granite and slate, but schist has experienced the most stress and can be intermixed with deeply weather granite. Schist can come in different shades based on the metamorphosis activity. Schist is often finely interwoven with quartz and feldspar. It’s quite foliated, meaning a flaky texture that can easily fracture into flakes or jagged slabs. The word ‘schist’ in Greek means ‘to split.’

Schist based soils are ideal for grape growing due to its heat retentive nature and high levels of magnesium and potassium. Vigorous vines thrive in a medium of schist by slithering through the fractured rock in search of moisture. In my opinion it’s the ‘old-vine’ cultivar and its direct correlation to the schist based soils that make for some of the finest wines in the world. With much tasting under my belt, I can often pick out a schist influence on a wine’s nose and finish. A mouth watering reaction usually occurs, very similar to tasting a wine in which the grape was grown on limestone. The difference is the pronounced mineral quality throughout the mid-palate with a bone searing dryness that can linger for three to five minutes depending on the age of the vine.

Historical growing regions with high level of schist are the found throughout some of the classic growing regions of Western Europe including …

Spain- Priorat & Montsant (Catalonia), Valdeorras & Ribiero (Galicia)
France- Beaujolais, Alsace, Cote Rotie (Northern Rhone), Collioure, Banyul & Maury (Côtes du Roussillon)
Germany- Mosel-Saar-Ruwer
Portugal (Northern)- Douro Valley & Vinho Verde

The most compelling wines are made from extremely old-vines averaging anywhere from 50 to 100 years old in which the schist has made for an ideal medium for these vines to produce grapes of immense quality, thus a finished product that is completely unique and shines above any of it’s ‘New-World’ competition. Certain white varietals and red varietals, both dry and sweet, are associated with schist. More than likely it was the Romans who were the first to work these lands and plant the cultivars that still exist today. In Spain, Grenache (Garnacha) and Carignane (Cariñena) take center stage in the ‘licorella’ soils of the Priorat and Montsant.  The best examples are blends dominated by these two truly Spanish varietals with a dollop of Cabernet Sauvignon, Merlot and Tempranillo for added weight and polish. Heading to the northwest part of the country it’s the ancient white grape of Godello that is the ideal suitor for schist in the Valdeorras and Ribiero. Some experts argue that Godello is a mutation of Riesling. The largest schist mining operation in the world is based in Valdeorras. Moving onto France, the noted cru villages of Fleurie, Moulin-a-Vent and Morgon have schist sub-structure in which old-vine Gamay Noir thrives. The mighty Syrah owes its mineral laced nose and finish to the adulating slopes of the Cotie Rotie in the Northern Rhone. Down in the Roussillon, Grenache Noir reigns supreme in the villages of Collioure, Banyuls and Maury, making full-bodied dry and hedonistic sweet versions. Schist makes its way along the Vosges Mountains in Northern Alsace in which Riesling is the beneficiary growing in what locals call ‘Steige.’ Riesling’s connection with schist influenced soils is evident in the middle section of the Mosel-Saar-Ruwer, where certain ancient plantings are supported by a unique red slate, similar in composition to some of the terraced vineyards found in Galicia, Spain. Historical data suggests that both of these region’s original plantings were established by the Romans. Finally, in the Douro Valley, Port producers plant new vines by setting off explosive charges to loosen up the schist formations. Tempranillo, Touriga Nacional and several other traditional Port varietals can only exist in this extreme environment due to the schist formations.

I encourage wine lovers to plan their next theme tasting not as varietal based, but schist based and taste the underlying mineral theme and complex layered structure of these wines. For the collector, schist based viticulture offers tremendous returns. Old-vine material from the regions mentioned above can age gracefully for many years to come specifically with Grenache and Carignane based wines of the Priorat, Syrah from Cote Rotie, and Grand Cru Rieslings from Alsace and Germany’s Mosel-Saar-Ruwer. For the sweet nectar, look no further than a great Porto and France’s Vin Doux Naturel category of Banyuls and Maury made from 100% Grenache Noir. Chocolate anyone? It’s all about the schist baby! Who knew that a metamorphic occurrence could taste so amazing?!?

Below is a sampling of schist influenced wines that you may find on the Vinfolio site. Select a mixed lot for you next theme party!

•    2004 Vall Llach, Priorat, Catalonia, Spain                                        $75, Wine Advocate 93
•    2003 Lo Givot- Pont, Priorat, Catalonia, Spain                                 $50, Vinfolio 92
•    2005 Guy Breton Morgon V.V., Beaujolais, France                             $24, Tanzer (IWC) 91
•    2005 Pierre Gaillard ‘Cote Rozier’, Cote Rotie, Rhone, France           $80, Vinfolio 93
•    2004 Rostaing ‘Cote Blonde’, Cote Rotie, Rhone, France                    $99, Tanzer (IWC) 94
•    2002 Calvet-Thunevin ‘Hugo’,Cotes du Roussillon Villages, France     $36, Vinfolio 92
•    2004 Domaine Ostertag Riesling ‘Fronholz’, Alsance, France              $29, Tanzer (IWC) 91
•    2005 Selbach-Oster Riesling ‘Zeltinger Sonnenuhr’, Germany             $22
•    1997 Fonseca Vintage Port, Douro Valley, Portugal                            $65, Wine Advocate 93
17
Sep
2007

Collecting Highlight: A quick study on Guigal Cote-Rotie Single Vineyards

Categories: Education , Wine Reviews

The 2003 Guigal “La La’s” are some of most collectible wines released this year.  Epic vintages are rare for the Northern Rhone.  Finest vintages for the Northern Rhone include 2003, 1999, 1995, 1991, 1990, 1989, 1988, 1985, 1983, 1978, 1976, and 1969.

  • Collectibility:  The “Big Three” represent the pinnacle of winemaking and are the flagships of their appellation.  Guigal is undisputedly one of the world’s most important producers and the La La’s are three of the most collectible wines in the world.
  • Appellation/Location:  Cote-Rotie in the Northern Rhone
  • Varietal Blend:  Syrah and Viognier (typically from 0-10%)
  • Aromatic and textural profile:  Fleshy, rich, fragrant, smoky, and full-bodied with notes of cassis, black raspberry, violets, bacon fat, olives and grilled meats
  • Production:  typically La Mouline(3.5 acres) and La Turque(2.5 acres) totals 400 cases each, and La Landonne (6.2 acres) totals 800 cases.
    In 2003, La Mouline totaled 230, La Turque totaled 210, and La Landonne totaled 500 cases due to excessive heat wave.
  • Average age of the vines
La Mouline: 75 years
La Turque: 15 years
La Landonne: 25 years
  • Terroir and Viticulture:  Cote-Rotie translates as “the roasted hillside” which sits on the western bank of the Rhone with a perfectly southeasterly exposure.  The two hillsides are named Cote Blonde and Cote Brune.  Both are extremely steep, (gradient of 30-55 degrees) vines are terraced, and each vine is trained by Guyot method.  Exposure is central to the wine profile imparting a low density of vines, and low yields.
Cote Blonde:  Contains more sand, granulite, and limestone resulting in wines that are more perfumed and fragrant, round, supple, and more approachable in youth. Virtually all of the Viognier planted in Cote-Rotie is on the Cote Blonde.

Cote Brune:  The northernmost slope composed of more clay and iron resulting in wines that are darker in color, noticeably tannic, and with more power and weight.  Cote-Rotie’s longest lived wines.

  • Vineyard notes, terroir, vinification:

          La Mouline:

-Concave slopes and terraces of vines with full southerly exposition so ripens several days earlier and harvested first (can harvest in 3-4 hours).
-Fruit is from the Cote Blonde and contains 11% Viognier.
-No destemming and 42 months in new oak (Alliers and Nevers), pump-over not punch-down.
-Goal is to make it the most supple, seductive, and perfumed.  Results in one of the world’s most intensely perfumed wines with aromas of bacon fat, smoke, cassis, white flowers and black olives.

          La Turque:

-Convex slope so receives sunshine all day, not as steep as La Landonne
-Contains 7% Viognier.  
-Synthesis of La Mouline and La Landonne.  Situated in the Cote Brune but vineyard is closer to Cote Blonde than La Landonne.        
-Vinification is the same as La Landonne.        
-Rhone’s answer to Musigny and Richebourg.
La Landonne:
-Steep aspect with 63 degree gradient, (imagine picking fruit from the down slope of a roller coaster).  
-100% Syrah from northern part of the Cote Brune so the wine is massive and intense from soils high in iron content.  
-No destemming, closed tank fermentation and auto-pigeage (for fat and softness), and 42 months in new oak (Alliers and Nevers).
-Most opaque, powerful, dense, and long lived showing more smoke, anise, Asian spice, cassis and grilled meat aromas and flavors.  

2003 Guigal, E - Cote-Rotie La Mouline    $825    Prearrival
WA 100    Drink Date 2007-2037
The 2003 Cote Rotie La Mouline is by far the most delicate and elegant wine (11% Viognier is co-fermented with 89% Syrah), but the enormous aromatics of spring flowers intermixed with creme de cassis, black raspberry, mocha, caramel, and cola, and enormous full-bodied opulence and striking velvety, seamless texture make for one of the most memorable wines anyone could every drink. This wine should age effortlessly for 25-30 or more years.

2003 Guigal, E - Cote-Rotie La Turque    $825    Prearrival
WA 100    Drink Date 2009-2037
A pure aromatic smorgasbord is offered by the 2003 Cote Rotie La Turque, which has an amazing aromatic profile of espresso coffee interwoven with scorched earth, tar, truffle, incense, blackberry, bacon fat, and flowers. Powerful, thick flavors ooze across the palate with a viscous texture, amazing purity, and just enough acidity and tannin to give uplift and precision to this remarkable tour de force in winemaking. Of the 2003s, this is also approachable, but ideally 2-5 years of cellaring would be suggested, and the wine will evolve for at least 30 more years.

2003 Guigal, E - Cote-Rotie La Landonne    $825    Prearrival
WA 100    Drink Date 2007-2037
Dense purple to the rim with a nose of graphite, creosote, earth, olives, and black, black, black fruits, the primordial, full-bodied, monumental 2003 Cote Rotie La Landonne is amazing stuff. I suspect this is more akin to a dry vintage port than most Cote Roties ever tend to be, but the purity, the richness, the texture, the length are all out of this world. This wine does need some patience on the part of its purchasers, probably five years, more likely 8-10, but then one of the world's most compelling elixirs will be at its peak for another 20-30+ years.

14
Sep
2007

You Say Chardonnay, I say Chablis

Categories: Education
What happens when a group of people attend a blind tasting and taste the same wine but come up with some very different opinions on what that wine could be?  A few weeks ago some of the Vinfolio wine staff and I attended an informal wine tasting where all the wines were tasted blind and we used the recommended WSET approach to tasting.

The first 3 whites set the tone and after we started going over our general thoughts about aromas, flavors and structure some of the first responses were “wait, are we talking about the same wine”?  We even had to double check the order to be sure someone didn’t switch their glasses.  We were tasting a set of 3 different Chardonnays grown in different parts of the world, but one wine (2005 Marc Colin St Aubin En Remilly 1er Cru, $33) sparked a debate because some thought it had to be New World with its toasty-oak notes and lush fruit, while others pointed to a restrained use of oak and good acidity so that it had to be from Burgundy.  Could some White Burgundies taste like New World Chardonnay or vice versa?

We did have some variation in the type of glass used which can have an effect on the way the aromas are brought out but in this case it wasn’t a major factor.  I think it had more to do with the individual experiences of each person at the tasting.  While some had tasted more wines over many years in the wine business, others had less experience but were still able to communicate the main attributes of the wine and use that ability to accurately identify the wine.

Each person builds their olfactory memory (the ability to recognize things by their smell) and their wine palate differently.  This is why it is important to taste the wine and not just drink it.  Each time you taste a new wine, it is an opportunity for you to work on building your palate.  If you are able to pull out a few descriptors on what you smell (fruit, flower, spice or oak), or how it feels on your tongue when you drink it (lush, acidic, tannic or sweet), just by thinking about it for a few minutes as you taste will help you remember what you did or did not like about that wine and you’ll remember it next time.

Building up your wine tasting skills is not just for figuring out what you like, but also how to identify flawed wines.  How do you know when a wine is corked or flawed?  Well, we had a few of those at our tasting too.  Two out of our twelve wines were flawed/corked so we were in the statistical average that 10% of the wines you try may be corked.  As much as we all had varying levels of ability to identify the aromas and structure of the wine, we were all pretty adept at spotting the “off” wines.  You don’t have to be an expert to know when a wine has gone bad, your nose will tell you so.  Think of wet cardboard, musty basements and general stinkiness that just won’t go away.  The real test is the taste and when you get some very harsh effects (acidic, bitter), you know that something is wrong.  If you are in a restaurant having a great meal, you certainly don’t want to drink (nor pay) for a flawed wine, and if you are unsure, you can always ask the sommelier for a second opinion.  

We continued through our tasting moving to a couple of different red varieties (Grenache, Carignan and Cabernet) that proved to be hard to pin down (such as the 2003 Marti Fabra Seleccio Vinyes Velles, $18) because they showed some variations in the basic qualities we had come to expect from those varieties.  We draw from our own experience but we know that other factors – climate, soil, new winemaking techniques - will make us think twice.  We loved the challenge and we were surprised by an older Cabernet from Chile (1997 Carmen Cabernet Sauvignon Gold Reserve, $60) that showed the elegance and structure of an Old World wine.  

We enjoyed the wines and had some surprises, but the goal was to really work on identifying the wines properly using a structured format, past experience, newly acquired knowledge and sometimes our “gut feeling.”  We started off tasting, but in the end, we drank.  The best advice I ever received in all my wine tasting adventures was, “taste as much wine as you possibly can.”  I try.
30
Aug
2007

Collector Vintages of "First Growth" Bordeaux

Categories: Education

I have compiled a list of select "Blue Chip" Bordeaux that should be part of any serious wine collection. The featured producers are Château Haut Brion, Château Lafite-Rothschild, Château Latour, Château Margaux, Château Mouton-Rothschild, Château Ausone, Château Cheval Blanc, Château Petrus, and Château d’Yquem. I chose these nine châteaus for this “First Growth” report because they represent the top echelon of Bordeaux collector wines; they are what are commonly referred to as the “Big Eight” plus Château d’Yquem. The selected vintages have nearly always increased in value on the auction market because of their high demand.

With thirteen vintages listed for Château Latour, it is the estate with the most (post 1961) 95+ point vintages from Robert Parker. However, with only nine vintages, Château Lafite-Rothschild attains 100 points for five of its nine wines.  The estates with the highest average scores across three review sources (Parker, International Wine Cellar, Wine Spectator) include 2000 Margaux (RP 100, IWC 98, WS 100), 1989 Haut Brion (RP 100, IWC 97, WS 100) and 2001 Yquem (RP 100, WS 100). Other top scoring wines include 1990 Margaux, 1982 Mouton-Rothschild, (1961, 1982, 2000, 2003) Latour, 2000 Lafite-Rothschild and 1989 Petrus. As it is still early, there are not yet final scores available for the 2005 vintage wines; however, the current ranges are exceptionally high, significantly inflating that vintage’s average retail price.

Classifications
Châteaus Haut Brion, Lafite-Rothschild, Latour, Margaux, and Mouton-Rothschild (as of 1973) are classified as First Growths from the 1855 classification of Médoc (Left Bank). Château d’Yquem is the only sweet white wine to be classified as a Premier Cru Supérieur from the 1855 classification of Sauternes and Barsac. In Bordeaux’s Merlot-based Right Bank, Châteaus Ausone and Cheval Blanc garnered the top classification, Premiers Grands Crus Classés A, in the 1954 classification of St. Emilion. Although Château Petrus (from Pomerol) has never been classified, it is generally considered of the same class as the established First Growths.

Analysis Parameters
The following chart includes summary data pertaining to vintages from 1961 to 2006. In order to be selected, the wine must have rated at least 95 points or more from Robert Parker’s Wine Advocate or Bordeaux. Wines are listed in descending order of points from Parker. In the column headings, RP represents Robert Parker’s publications, IWC represents Steven Tanzer’s International Wine Cellar, and WS represents the Wine Spectator. All scores, maturation ranges, and prices date from August 2007. Auction averages are compiled from Vinfolio’s on-line wine store (or 23nd Edition of the Wine Price File), and retail averages are compiled from wine-searcher.com as integrated into Vinfolio’s on-line wine store. All prices are based on 750 ml bottles.

Summary Chart: 1961 to 2006

27
Aug
2007

White Burgundy 101

One of Burgundy’s best values for elegant, pure, and precise whites is Chardonnay from the village of St. Aubin.  I often think of these wines as the little brother to a Puligny or Chassagne A.C. (village wine), as they are a bit lighter and more graceful, but still have a pronounced goût de terroir (translates as “taste of the earth” specifically referring to the terroir).  

About St. Aubin
A ten minute drive from southwest Meursault lies the village of St. Aubin.  Literally rubbing the shoulders of Puligny-Montrachet and Chassagne-Montrachet to the east, the best white wines come from the vineyards located on the steep slopes in the stretch between St. Aubin and the neighboring village of Gamay.  Here the soil is nearly pure limestone and the white wines have a pronounced almond character.  Farther down the slope, below the village of Gamay, the soil is richer, with more marl, creating fruitier white wines with a scent of hazelnut especially from vineyards such as En Remilly (borders the grand cru Le Montrachet) and Murgers des Dents de Chien (roughly, the big dog-toothed rocks) that abut Puligny-Montrachet.

About Domaine Marc Colin
Marc is a fourth generation winemaker who is best known for his Montrachet and Batard-Montrachet.  He is now working closely with talented sons Pierre-Yves, Damian, and Joseph.  Damian and Joseph Colin are in charge of the winemaking where Damian oversees the vinification and Joseph the viticulture. They've ended the use of all weed killers and now plow exclusively. Similarly, they told Allen Meadows that they're also looking for more freshness and vivacity, and to the extent possible, to emphasize minerality in the wines. To accomplish this they now use no enzymes or commercialized yeasts and have stopped all but a small amount of lees stirring. Moreover, they absolutely wanted to avoid any sense of heaviness. They're also dropping the toast levels of the barrels.

I tasted these wines semi-blind (I knew they were both Marc Colin St. Aubins but I didn’t know which vineyard I was tasting).

2005 Marc Colin St. Aubin En Remilly 1er Cru    $33    
Nice breed on first impression, like a junior Puligny.  Excellent purity and very precise.  Lovely white Burgundy character with hazelnut, lemon verbena, quince, and white floral top notes.  Finish shows great tension, minerality, and length.  You can easily see why this wine made Allen Meadow’s best buy list and was rated “Outstanding! Top value.”

2005 Marc Colin St. Aubin Les Murgers des Dents de Chien 1er Cru
    $33
    
Less definition but more exotic.  This is a riper wine with more stone fruits and melon while showing excellent minerality.  The finish is richer and more blowsy.  For me, I prefer the definition in the En Remilly but I really like the nose on this wine too, especially as it opened up.
23
Aug
2007

Themes for Blind Tasting

Categories: Education

One of my favorite ways to learn about wine is to do a “blind” tasting where you sample several different wines (as in a “flight”) without knowing what they are. Whether you sample blind or not, using flights of wine as a way to study a particular theme (grape varietal, region etc.) is a fun way to learn. For example, when you compare three wines from the same grape grown in diverse climates, you will discover similarities in the grape’s flavor profile, but also recognize subtleties due to a particular climate. You may find it helpful to employ study guides that describe grape flavor profiles and wine style profiles (old vs. new world, cool vs. warm climate, etc.), as well as employ the WSET Systematic Approach to tasting that I explained in a previous blog post.

Below are some regional groupings that can be used to create Varietal Flights comprised of affordable (under $60) wine selections (choose one from each region) from Vinfolio’s inventory:

Sauvignon Blanc
    1)    New Zealand, South Africa
    2)    Bordeaux Sec
            a)   2004 Chateau Carbonnieux Blanc $34.95
            b)   2004 Chateau Smith-Haut-Lafitte Blanc $58.95
    3)   Loire Valley (Sancerre, Pouilly Fume)
            a)   2005 Vincent Delaporte Sancerre Chavignol $22
            b)   2005 Pascal and Nicolas Reverdy Sancerre Les Coutes $22
    4)   Napa Valley, Santa Ynez Valley
            a)   2006 Hartwell Sauvignon Blanc $31
 
Pinot Noir
    1)    Russian River, Sonoma Coast, Carneros, Santa Barbara, Willamette Valley
            a)    2005 Joseph Swan Pinot Noir Cuvee de Trois $27
            b)    2005 Lemelson Pinot Noir Stermer Vineyard $42
    2)    Burgundy
            a)    2005 Robert Groffier Pere et Fils Bourgogne Pinot Noir $33
            b)    2004 Mongeard-Mugneret Chambolle Musigny $41
    3)    Australia, New Zealand, South Africa
            a)    2005 Amisfield Pinot Noir Central Otago $33
            b)    2005 Hamilton Russell Pinot Noir $35

Cabernet Sauvignon 
 
    1)    Left Bank Bordeaux
            a)    2004 Chateau Armailhac $32.95
            b)    1990 Chateau Meyney $54
    2)    California, Washington (Napa, Sonoma, Columbia Valley)
            a)    2004 Chateau Montelena Cabernet Sauvignon $39.95
            b)    2005 Ramey Cabernet Sauvignon Napa Valley $51
    3)    Australia (Barossa, McLaren Vale, Coonawarra)
            a)    1999 Majella Cabernet Sauvignon $25
            b)    2004 D'Arenberg Cabernet Sauvignon Coppermine Road $58

Other possible tasting themes include:
  • Verticals (several vintages) of the same wine to study vintage and age variation.
  • Wines from the same region that reveal a common growing climate through various grape varietals, i.e. Alsace with Riesling, Pinot Gris, and Gewurztraminer.
  • Wines from the same region, but representing various levels of quality. In Burgundy, for example, you could choose a Bourgogne, a Premier Cru, and a Grand Cru wine. Quality levels can also be examined in terms of price.
  • Winemaking techniques such as the use of fermentation methods (whole berry or carbonic maceration), use of oak vs. stainless steel, and various methods of fining & filtration or lack thereof.
Have fun tasting at home or in a local wine bar! Learning to recognize the differences and similarities between wines will help you to discover your personal preferences. By keeping an open mind you will be exposed to new wine styles that will likely influence your future buying decisions.
7
Aug
2007

Bierzo: In Search of Old Vine Mencia

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I’m in a ‘Mencía’ state of mind when promoting Spain’s Bierzo district on the outer frontier of Castile-Leon in northwestern Spain. Mencía is the native and flagship varietal of the Bierzo D.O.  It is a category that both enthusiast and collector need to consider when purchasing Spanish wines from more familiar and favorite outposts such as Rioja, Priorat and Ribera del Duero. Even though classified as part of the ‘Old Castile Empire’, Bierzo and its black skinned wonder, Mencía, have more in common historically and geographically to Galicia, a region more known for aromatic and light-bodied whites than for hearty reds. Mencía’s history is somewhat unknown based on inconclusive DNA evidence. However, certain experts state that the grape is a genetic cousin of French Cabernet Franc, whose origins stem from importation during the Roman occupation or afterwards with the pilgrimage of French Christians in the 1400s.

Fast forward to the modern day, to what I refer to the ‘Bierzo Renaissance’, when a few wine mavericks saw the potential of Mencía grown on the steep hillsides where old-vines struggle in the iron rich and schist based soil. Noted winemaker Alvaro Palacios’s mission to find the perfect place to make great wine lead him first to the Priorat (L’Ermita & Finca Dofi) in the late 1980s and then to Bierzo in the early 1990s. Alvaro teamed up with his nephew Ricardo Perez (also Bordeaux trained) to realize a project based upon their shared belief in Bierzo’s potential. Working with some of the old timers, Palacios and Perez’s research suggested concentrating their efforts in the small village of Corullón. Traveling through these hillside parcels reveals similar visuals and growing conditions to cru vineyards in Piedmont’s Langhe hills and Burgundy’s Côte d’Or. Their project ‘Descendientes de José Palacios’ makes a statement for grand cru rated Mencía! The remarkable 2001 vintage marked the release of the oldest vine blocks in single-vineyard formats. Seven wines are made in total assembled from vines that average 60 to 100 years old from the highest peaks on the western edge of Corullón. They include: Pétalos del Bierzo- the youngest vines, Corullón- an assemblage of old-vine parcels, and then five extraordinary single-vineyards (San Martin, Fontelas, Moncerbal, Las Lamas and La Faraona). It’s rare to find inventory of some of the vineyard designates for retail sale, but Vinfolio presently has four bottlings on the site from the stellar 2004 vintage. The ‘Corullón’ ($47, WA 91) is a multi parcel blend that is the most accessible, but still needs a few years to mellow out. The lineup is rounded out with three of the five single-vineyard designates including ‘La Faraona’ ($245), ‘Moncerbal’ ($126, IWC 94) and ‘San Martin’ ($84). The vineyard designates are extremely rare with total production levels averaging a mere 150 cases based on vintage yield.

In a nutshell, these bottlings are subtly different, but the overriding taste profile is of old-vine Mencía: a dark crimson to opaque purple hue with a fruit spectrum of pomegranate, cranberry, cassis, blueberries, black raspberry and black cherry on the mid-palate. Nuances of herbs reminiscent of Cabernet Franc on the nose and brooding iron laden minerals are prevalent throughout the palate experience. The varietal’s naturally high tannin composition makes the wine an ideal cellar candidate. 2004 Bierzo is “a must” to expand your Spanish buying strategy. Any fan of the Priorat and Ribera del Duero will get warm and fuzzy over the ‘Descendientes de José Palacios’ lineup based on the passion of its visionaries to coax the most out of these old-vines and the results in the glass have wooed the international wine press and insiders alike. The world-class ‘Wine World’ is getting too small not to consider odd-ball gems like Bierzo’s Mencía. Go ahead and think outside of the box. You will not be disappointed!

26
Jul
2007

Montefalco’s Mighty Sagrantino

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Categories: Education , Wine Reviews

The mighty Sagrantino might be the most noble and hearty red skinned Italian varietal you never heard of. Sagrantino, the other “S” varietal, has too long been overshadowed by the commercial success of Sangiovese in neighboring Tuscany.  Its sanctum is in the southern Perugian Hills of Umbria. In 1992, Sagrantino di Montefalco was honored with the highest distinction of quality, the DOCG (Denominazione di Origine Controllata e Garantita) sharing the same guaranteed quality standards of Chianti Classico, Brunello di Montalcino, Barolo and Barbaresco to name a few.

Its origins are somewhat unknown, but many feel it is native to Montefalco and the surrounding area. The name may refer to the "Sacrament" and to when the Franciscans made sweet wine for religious rites. Historically the grape was cultivated into a sweet wine, but now it is the ‘dry’ version that is driving the Montefalco promotional campaign.

Our featured Sagrantino on the site is the 2003 Perticaia (VF$ 45). The success of the Perticaia estate is fueled by visionary, proprietor and winemaker, Guido Guardigli. He knows Sagrantino from his days making wines at Colpetrone and Scacciadiavoli, two noted Montefalco estates. He hired legendary enologist Lorenzo Landi to do initial consulting on his dream project. The property was a working farm that included grain fields and olive groves. Today, the estate has amassed 14 hectares of Sagrantino, Sangiovese, Colorino, Cabernet Sauvignon and Merlot. The Sagrantino thrives in the cool, deep, clayey-calcareous soils, which was the impetus for the site. Perticaia Sagrantino is now mentioned in the same terms of quality as Arnaldo Caprai, Paolo Bea, Adanti, Colpetrone and Scacciadiavoli.

Every varietal has a flavor and textural footprint, and with Sagrantino, it’s all about gritty natural tannins and notes of slightly bitter dried cherry. With proper clonal selection and yield maintenance, Sagrantino can be coaxed into a wine with immense mid-palate richness, followed by a super-dry finish that displays finesse and length. More affordable than most Super Tuscans and Brunelli, Sagrantino is an ideal case purchase for mid-term cellaring. I suggest cracking open a bottle for explorational purposes and decanting for a minimum of 60 to 75 minutes before serving.  Grill up some NY Steak or Rib-eye and brace yourself for a gastronomical match made in heaven! Perticaia’s 2003 Sagrantino boasts a sensory overload of bitter cherry similar to Amarone. When properly decanted or aged for at least three to seven years, this effort can roll with some of the Tuscan big dawgs!

All this praise for Sagrantino di Montefalco doesn’t mean you need to scratch your budget on 2004 Tuscans (another blockbuster vintage for Montalcino Maremma & Bolgheri Coast). However, thinking outside of the box and venturing down the unknown wine road can have tremendous benefits. Contact Neil for more unsung heroes on the VF site at neil@vinfolio.com.

 

19
Jul
2007

Collecting Highlight: A quick study on Beaucastel - Chateauneuf du Pape Hommage a Jacques Perrin

Categories: Education

 

 

In 1989, 1990, 1994, 1995, 1998, 1999, 2000, 2001, 2003, 2004, 2005 conditions were so favorable that the Perrin family decided to make a special cuvée in honor of their father who passed away in 1978.

Collectibility—Truly one of the finest, most singular, and complex wines in all of the Rhone Valley and France
Production—typically 400-425 cases are produced from 5 acres
•Average age of the vines for Hommage are 65-90+ years
Appellation/LocationChateauneuf-du-Pape in the Southern Rhone, northernmost sector of Chateauneuf du Pape near the town of Courthezon
Terroir—Mediterranean climate (mild winters and hot summers), Beaucastel’s vineyards are covered by galets roulés which store heat and also help retain soil moisture. Retained heat reflects back onto the vines at night for increased ripeness and reduces acidity, Beaucastel’s vines are planted on clay soils
Varietal Blend—typically 60% Mourvedre, 20% Grenache, 10% Syrah, and 10% Counoise except for the 1998, which had 60% Grenache and only 20% Mourvedre
•Mourvedre cuttings are from Domaine Tempier in Bandol
Varietal ProfileMourvedre has small, thick skinned berries that tend to be high in alcohol and tannins and are somewhat gamey in youth.  The tightly formed bunches of Mourvedre are highly susceptible to rot but this is mitigated by the drying influence of the Mistral.  Mourvedre also has excellent antioxidant qualities
Varietal Aroma and Bouquet—Mourvedre aromas and bouquet include blackberry, spice, an earthy character like forest undergrowth, truffles, tree bark and animale notes like fur, leather, and game
•Mourvedre can be misinterpreted by tasters as brettanomyces
Viticulture— most vines are Gobelet trained although Syrah is trained on wires in single Guyot, farmed organically since the 1950s and estate grown fruit only
Vinification—destemming for Mourvedre and Syrah, fermentation in cement tank, then large oak foudres for 8-18 months, bottled after 24 months.  Syrah is fermented in small oak barrels
•Vinification includes vinification a chaud—heating of the must on arrival for extraction of color, flavor and aroma, to slow fermentation and to hault oxidation.  The must is subsequently cooled as it goes into tank.  This heating also breaks long chain molecules to liberate valuable nitrogen for yeast nutrition and greatly reduces sulphur requirements during elevage
Cellar Recommendations—Hommage requires proper ageing for a minimum of 6-10 years to develop and integrate (depending on vintage), and can age effortlessly for many decades

Availability as of 7/17/07

1998 blend includes 60% Grenache and only 20% Mourvedre
1998 Beaucastel - Chateauneuf du Pape Hommage a Jacques Perrin    $549
WA 100    Drink Date 2003-2033
….” an extraordinary effort, and from a purely hedonistic standpoint, probably my favorite Jacques Perrin”…..Robert Parker

2003 is a blend of 40% Mourvedre, 40% Grenache, 10% Syrah, and 10% Counoise
2003 Beaucastel - Chateauneuf du Pape Hommage a Jacques Perrin    $329
WA 95        Drink Date 2011-2046
….” A 50-year effort”….. Robert Parker

2004 was an exceptional vintage for Mourvedre
2004 Beaucastel - Chateauneuf du Pape Hommage a Jacques Perrin    $349
WA 96-98    Drink Date 2007-2047
…. “The 2004 is potentially one of the legendary Jacques Perrin cuvees since the debut vintage of 1989”….Robert Parker

17
Jul
2007

Introduce yourself to this shy vintage

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Categories: Education
Smile broadly and extend your hand as I’m convinced you’ll be rewarded for getting to know this quiet, somewhat reserved vintage: 2004 White Burgundy.  I’m taking a stance for one wine in this entry that I hope will echo the voices of many other 2004 white Burgundies. There are a few reasons why I think this wine can be the spokesperson for the vast majority of 2004s we have in stock. It’s not the most famous, nor does it have the longest history. But I’ve been paying attention to Domaine Paul Pernot wines since the 1992 vintage. They’ve gotten better and better in their own right and are no longer ‘under the radar’ for the Burgundy consumer. His vineyards, at least have been on the “map” so to speak for years and sought-after by at least one large domaine/neighbor of his (he’s been a fruit-source for Domaine Drouhin for years). Now with a slow increase of his holdings, more and more proof of his winemaking skill makes it to bottles that bear his own labels.

Mostly, the wines are prototypical Burgundy: precision, higher-toned, lighter in body yet concentrated.  And there’s the main idea: that the 2004 White Burgs are demonstrative of archetypal Chardonnay from this famed region. Though the reviews for 2004 are generally excellent across the board, I think the wines merit the same respect as 2002s and maybe 1995s (longer lived than 1995 perhaps). It’s also sandwiched on many tasting tables between the 2003 and 2005 vintages which are the sexier wines (2003 is also fairly underrated as a vintage overall but the top-end wines are even higher scoring that the 04s).

No discredit meant to these wines at all, I’m just saying that you have to remember to let the 2004s do what they do. Somewhat shy (sexy in its own right at times), the wines prefer to act stereotypically “European.” They’re not very showy, they might seem a little snooty until you get to know them, their opinions can be ‘bracing.’ But they’re generally long-lived, complex and concentrated! The 2004s are still quite austere and edgy overall. But when the mango fruit softens in the Pernot Folatieres, for example, it broadens as it will along with the flowery aromas. And when the spicy, almond-notes from the oak fully soak-in—wow! An out-and-out provocative wine!

Folatieres itself is even a typical vineyard to represent this vintage. It is often “of the orchard” and is a wine that has to come along its path before it drinks at its best (kind of like high school-er getting through his or her freshman year at college). Or like a reserved person, the first meeting might not even reveal a significant sample of what that person’s about. Well, the 2004s are sort-of at a “3rd time meeting” stage. A drinker is able to get some of the background of this wine; you’re intrigued to learn even more but you still can’t expect to know what’s “on their mind.” Trust that they’re on the right path and you’ll surely make great friends from this exceptional vintage.

2004 Pernot, Paul Puligny-Montrachet Les Folatieres 1er Cru
- $57
13
Jun
2007

Do you Shun Champagne?

We at Vinfolio find ourselves talking about our wine experiences quite often, and one question returns to me...why don't people drink more Champagne? By and large people only buy Champagne for special occasions, as if our day to day lives aren't worth celebrating.

May I extrapolate that people have nothing to celebrate?

I have a friend whose wine collection contains of 3,000+ bottles of Champagne. His portfolio taught us both a lot about Champagne’s versatility. Over the course of two years we drank Champagne with everything, and I discovered a strong affection for the selections from Egly-Ouriet. Vinfolio currently features their NV Brut Les Vignes de Vrigny 1er Cru ($54) and NV Brut Tradition ($54).

Egly-Ouriet’s wines hail from the region of Ambonnay, just Northeast of Champagne, from only 8 hectares (19 acres) of Grand Cru fruit.  It is amazing that these wines are still very affordable. His vines age from 30-50 years and sit on their yeasts for a minimum of 3 years. During the aging period, the process known as autolysis occurs where the dead yeast cells (or lees) from the secondary fermentation release complex flavor compounds in the wine creating desirable toasty, yeasty, biscuit-like flavors. These flavors are what define the rich style and subtlety of my favorite bubbles. And what’s even more— Egly-Ouriet wines are also unfiltered, a practice not the norm for Champagne.

So, I ask again, can we find something in our daily meanderings to celebrate?
22
May
2007

WSET Systematic Approach to Tasting

Categories: Education

As an introduction to my first set of tasting notes, I wanted to explain the tasting approach that I have adopted from the London based Wine & Spirit Education Trust (WSET). This organization offers vocational training to those in the Wine & Spirits industry as well as catering to the enthusiastic amateur by providing tastings and courses internationally on the subject of wine and spirits.

As a candidate for the WSET’s diploma (a two year course divided into six units), I have been practicing their “Systematic Approach to Wine Tasting.” While this is not the only approach to wine tasting and can be a bit cumbersome, it is very thorough. Using the systematic approach, I evaluate wines based on a checklist of criteria that evaluates the wine’s appearance, nose, and palate. Based on those descriptions, I come to a conclusion on the wine’s quality, geographic origin, grape variety, price, age, and readiness for drinking. In the notes that I write for this blog, I will not taste the wines blind, but rather will give my evaluation and personal score based on these criteria.

Below is a description of each of the evaluation categories:

1) APPEARANCE - At first I look at the wine’s appearance and decide on its level of clarity (bright – clear – dull – hazy), the color and intensity of the core versus rim (i.e. deep ruby core going to a thin garnet rim), and any other observations such as legs, deposits (tartrate or sediment), or bubbles.  

2) NOSE – The second category evaluates the wine’s aromas in the nose. First I decide if the wine is clean or unclean (i.e. faulted by cork taint, oxidation, heat, or volatile acidity). Next I evaluate the intensity of the aromas (light, medium, pronounced) and its development (youthful, developing, developed/mature, tired). Finally I list the aroma characteristics from such categories as fruit, floral, spice, vegetal, and other (i.e. animal scents, minerals and ripeness).

In describing aromas, I sometimes find it helpful to employ such tools as the Aroma Wheel that was created by University of California at Davis professor emeritus Ann C. Noble in the early 1980s.

3) PALATE – The third category evaluates the wine on the palate. I rate the level of sweetness (dry to luscious), acidity (low, medium, high), level and nature of the tannins (i.e. medium fine-grained tannins), alcohol level (low to high), body (light to full), flavor intensity (light to pronounced), flavor characteristics (fruit, floral, spice, vegetal, and other), other observations (such as texture or balance), and the length.

4) CONCLUSIONS – Finally, based on my assessments in the previous categories, I make several supported conclusions for the quality, age and origin of the wine. I will need to defend my reasoning for why a wine shows poor or excellent quality and why it merits a particular price range. I will deduce the grape variety/varieties and its location by suggesting production methods and climatic influences. Lastly I would decide on its relative age and readiness for drinking. Again, in these postings I will already know the identity of the wine and its price range.

Hopefully these notes will guide you in evaluating wines by reminding you of the various criteria that determine its quality and identity.  It is also of my opinion that the particular situation of the tasting experience (family dinner, restaurant, vacation) and its food pairing will also play a large influence on the overall impression that a wine makes and how it remains in your long-term memory.

May you enjoy the sensory and sensual experience of discovering each new wine, whether it brings novelty or reinforcement to your mental wine library.  

18
May
2007

Launch of the Vinfolio Staff Picks Blog

Categories: Education
Welcome to the Vinfolio Staff Picks blog!

In this space Vinfolio’s wine experts will present their favorite wines and explain why they are special. We will also comment on and discuss other areas in the wine industry such as new trends, food & wine pairings, and upcoming events. Our varied experiences in the business reflect a myriad of perspectives but ultimately, we all share a passion for great wine. Hopefully our reflections will inspire you to try something new and keep you thirsty for adventures with Bacchus.

This is an open forum and we look forward to starting a dialog with you, our readers and customers. Don’t hesitate to include your point of view by adding comments to the postings. Wine is an ever-changing subject that is inexhaustible, incapable of being completely mastered and best when shared. I expect that we will all learn something from one another since none of us can claim to “know” it all.

Who is the blog facilitator?
Let me take this opportunity to introduce myself. My name is Laura Conway, Vinfolio’s Editorial Manager and database content administrator. My role at Vinfolio focuses on growing our 56,000+ wine database including professional reviews, auction and retail pricing, and educational content such as producer notes. Colleagues occasionally refer to me as Vinfolio’s “wine librarian”, a term which aptly describes my wine related research and data collection. So it is fitting that I am the facilitator for this blog. You can contact me at laura@vinfolio.com.

Posting schedule
Our goal is to post 2-3 times a week, but this average may increase or decrease according to our schedule and inspiration.

Contacting us
We love to receive feedback so your comments are always welcome. Each member of Vinfolio’s staff can be reached via email. Thanks again for joining us; sit back (or at the edge of your keyboard) and enjoy.
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